Topography of Tears: your emotions are also impressed here


The Topography of Tears is a study of 100 tears photographed through an optical microscope. The project began in a period of personal change, loss, and copious tears. One day I wondered if my tears of grief would look any different from my tears of happiness – and I set out to explore them up close, using tools of science to make art and to ponder personal and aesthetic questions.

Years later, this series comprises a wide range of my own and others’ tears, from elation to onions, as well as sorrow, frustration, rejection, resolution, laughing, yawning, birth and rebirth, and many more, each a tiny history.

The random compositions I find in magnified tears often evoke a sense of place, like aerial views of emotional terrain. Although the empirical nature of tears is a chemistry of water, proteins, minerals, hormones, antibodies and enzymes, the topography of tears is a momentary landscape, transient as the fingerprint of someone in a dream. This series is like an ephemeral atlas.

Roaming microscopic vistas, I marvel at the visual similarities between micro and macro realms, how the patterning of nature seems so consistent, regardless of scale. Patterns of erosion etched into earth over millions of years may look quite similar to the branched crystalline patterns of an evaporated tear that took less than a minute to occur.

Tears are the medium of our most primal language in moments as unrelenting as death, as basic as hunger, and as complex as a rite of passage. They are the evidence of our inner life overflowing its boundaries, spilling over into consciousness. Wordless and spontaneous, they release us to the possibility of realignment, reunion, catharsis: shedding tears, shedding old skin. It’s as though each one of our tears carries a microcosm of the collective human experience, like one drop of an ocean.

I’m pleased if my artwork has something to add to a larger conversation, and if public interest helps motivate scientific inquiry that ultimately leads to deeper insight about the language and content of our tears. Then it’s the best meeting of art and science. I’m not making any scientific claims in my work though, nor any declarations about anything except perhaps the poetry of life.

© Rose-Lynn Fisher 2013-2015

How Raven And Coyote Stole The Stars

Kangi, perhaps with the closing of the school, the teachings from our animal guides has completed itself… i wrote this story to say thanks to you and them for all the play and crazy laughter… love… – Miyaca

One day raven flew down and stole the sun and stars from a rich man hoarding them under some trees. he flew away, but soon the weight of both was too much for his wings so he shook the sun out to the west and watched it go down. he flew all night through the dark and fell asleep by the river.

just then coyote walked by. “hey, raven, want to smoke some tobacco?” raven loved to smoke. coyote brought out his pipe but when raven reached to take it, the stars came tumbling out. raven quickly gathered them up, telling coyote how he got them. “that’s quite a story!” coyote exclaimed. he loved stories. just then, the sun came up in the east blinding them both, but not before coyote snatched four of the stars from raven’s pile. they smoked the pipe and went on their ways.

raven flew into a terrible storm and lost all his stars to Wakinyan, the thunder bird, who swallowed them and spit them out one by one as bright lights across the sky. to this day, raven prefers to fly under the clouds. to stay in the dark and not remember his shame.

coyote spent many days with the four stars hidden in his tobacco pouch. he didn’t want to share them with anyone. when he finally brought them out, Waziya, the north giant, chased him down and killed him, but not before coyote managed to throw them away to different directions.

Waziya tracked the north star and keeps it there to this day. Wambli, the eagle, grabbed one and placed it in the east as wope, the morning star. these two are the brightest stars.

what happened to the other two remains a bit of a mystery. some say raven had enough magic to steal the one in the west, and keep it in his secret cave. that’s why he likes the west so much. some say coyote had enough trickery to track the south star and bury it there with his tobacco. that’s why wherever he goes, he’s always heading south.

but the wise ones say Wakantanka, the great spirit, put them so high in the sky that neither trickster could ever snatch them. for the stars belong to everyone and must shine so that all the people can see, and remember forever, the light.

Sudhiro Coyote Myiacha Olowan

Trance Dance & Dreaming

Trance Dance is a unique blend of body movement, healing sounds, dynamic percussive rhythms, transformational breathing techniques and the innovative use of a blindfold or bandana – together stimulating a ‘trance’ state that promotes spiritual awakenings, mental clarity, physical stamina and emotional well-being. …way more soul

Tantra and consciousness: the timeless presence

TANTRA y la consciencia se adentra en el eterno presente lleno de energía, ternura, fuego, amor y eternidad…
Os presento un bellísimo video grabado por Johan Planefeldt en el Encuentro de julio 2013, Hombres y Mujeres con Astiko y Jordi en Els Elements – Barcelona.
Gracias a todos los que habéis mostrado vuestro precioso ser para que este poema de amor y consciencia haya sido creado.

thanks to: tantrawithastiko

500 days of Osho Dynamic Meditation


An year and a half experience of Dynamic Meditation: an intense process of great and deep healing.

An amazing technique that touch and open blocked or disturbed areas in the physical and subtle bodies. These areas hiding the dark and masked spaces of our individual system that limit or block our life energy. And perpetuating this work is going to open even the most profound and ancient, more and more, day by day.
So the transformation happens.
An unequaled healing process.


“Meditation is an energy phenomenon. One very basic thing has to be understood about all types of energies, and this is the basic law to be understood: energy moves in a dual polarity. That is the only way it moves; there is no other way for its movement. It moves in a dual polarity.

For any energy to become dynamic the anti-pole is needed. It is just like electricity moving with negative and positive polarities. If there is only negative polarity electricity will not happen; or if there is only positive polarity electricity will not happen. Both poles are needed. And when both poles meet, they create electricity then the spark comes up.

And this is so for all types of phenomena. Life goes on: between man and woman, the polarity. The woman is the negative life-energy; man is the positive pole. They are electrical – hence so much attraction. With man alone, life would disappear; with woman alone there could be no life, only death. Between man and woman there exists a balance. Between man and woman – these two poles, these two banks – flows the river of life.

Wherever you look you will find the same energy moving in polarities, balancing itself.

This polarity is very meaningful for meditation because mind is logical, and life is dialectical. When I say mind is logical, it means mind moves in a line. When I say life is dialectical, it means life moves with the opposite, not in a line. It zigzags from negative to positive – positive to negative, negative to positive. It zigzags; it uses the opposites.

Mind moves in a line, a simple straight line. It never moves to the opposite – it denies the opposite. It believes in one, and life believes in two.

So whatsoever mind creates, it always chooses the one. If mind chooses silence – if mind has become fed up with all the noise that is created in life and it decides to be silent – then the mind goes to the Himalayas. It wants to be silent, it doesn’t want anything to do with any type of noise. Even the song of the birds will disturb it; the breeze blowing through the trees will be a disturbance. The mind wants silence; it has chosen the line. Now the opposite has to be denied completely.

But this man living in the Himalayas – seeking silence, avoiding the other, the opposite – will become dead; he will certainly become dull. And the more he chooses to be silent, the duller he will become – because life needs the opposite, the challenge of the opposite.

There is a different type of silence which exists between two opposites. The first is a dead silence, the silence of the cemetery. A dead man is silent, but you would not like to be a dead man. A dead man is absolutely silent. Nobody can disturb him, his concentration is perfect. You cannot do anything to distract his mind; his mind is absolutely fixed. Even if the whole world goes mad all around, he will remain in his concentration. But still, you would not like to be a dead man.

Silence, concentration, or whatever it is called… you would not like to be dead – because if you are silent and dead the silence is meaningless.

Silence must happen while you are absolutely alive, vital, bubbling with life and energy. Then silence is meaningful. But then silence will have a different, altogether different quality to it. It will not be dull. It will be alive. It will be a subtle balance between two polarities.

A man who is seeking a live balance, a live silence, would like to move to both the market and the Himalayas. He would like to go to the market to enjoy noise, and he would also like to go to the Himalayas to enjoy silence. And he will create a balance between these two polar opposites, and he will remain in that balance. And that balance cannot be achieved through linear efforts.

That is what is meant by the Zen technique of effortless effort. It uses contradictory terms – effortless effort, or gateless gate, or pathless path.

Zen always uses the contradictory term immediately, just to give you the hint that the process is going to be dialectical, not linear. The opposite is not to be denied but absorbed. The opposite is not to be left aside – it has to be used. Left aside, it will always be a burden on you. Left aside, it will hang with you. Unused, you will miss much.

The energy can be converted and used. And then, using it, you will be more vital, more alive. The opposite has to be absorbed, then the process becomes dialectical.

Effortlessness means not doing anything, inactivity – akarma. Effort means doing much, activity – karma. Both have to be there.

Do much, but don’t be a doer – then you achieve both. Move in the world, but don’t be a part of it. Live in the world, but don’t let the world live in you.

Then the contradiction has been absorbed…

And that’s what I’m doing. Dynamic meditation is a contradiction.

Dynamic means effort, much effort, absolute effort. And meditation means silence, no effort, no activity. You can call it a dialectical meditation.”

Osho “Meditation: the first and last freedom” © 1988